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<lastBuildDate>2013-04-29 10:02:00</lastBuildDate>
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<title><![CDATA[Greg Streak: Seeing Red, Feeling Blue]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1064/south africa/greg_streak_seeing_red_feeling_blue.htm]]></link>
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<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1064/south africa/greg_streak_seeing_red_feeling_blue.htm"><img alt="Greg Streak: Seeing Red, Feeling Blue" border="0"  src="http://www.africancolours.com/image/Greg Streak_Crumpled doodle with plint.jpg" width="300" height="200" /></a></p><p>Commune.1 is proud to announce Greg Streak&rsquo;s first solo exhibition with the gallery, &lsquo;Seeing red, feeling blue&rsquo;. Streak&rsquo;s sculptures present the illusion of possibility and hope, however through various interventions they proceed to pull the rug from under the viewer&rsquo;s feet dispelling all former optimism. 2 May - 30 May 2013</p>]]></description>
<dc:creator><![CDATA[Press Release]]></dc:creator>
<pubDate>2013-04-29 10:02:00</pubDate>
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<title><![CDATA[Surveys (from the Cape of Good Hope) by Jane Alexander]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1063/international/surveys_from_the_cape_of_good_hope_by_jane_alexander.htm]]></link>
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<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1063/international/surveys_from_the_cape_of_good_hope_by_jane_alexander.htm"><img alt="Surveys (from the Cape of Good Hope) by Jane Alexander" border="0"  src="http://www.africancolours.com/image/jane alexander" width="300" height="200" /></a></p><p>Alexander's figures are, in many ways, emblems of monstrosity, but they are curiously beautiful. Her creatures expose the human animal for all it is and all it could become. Though clearly concerned with social issues, her sculptural installations and photographs do not judge, nor do they convey a particular political or moral standpoint. Starting on the 18th April - 29th July 2013. In collaboration with St John Cathederal and Museum for African Art, New York.</p>]]></description>
<dc:creator><![CDATA[Press Release | Museum for African Art, New York]]></dc:creator>
<pubDate>2013-04-18 21:31:00</pubDate>
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<title><![CDATA[Al Jazeera profiles The New African Photography]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1062/international/al_jazeera_profiles_the_new_african_photography.htm]]></link>
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<p><a href="http://www.africancolours.com/african-art-news/1062/international/al_jazeera_profiles_the_new_african_photography.htm"><img alt="Al Jazeera profiles The New African Photography" border="0"  src="http://www.africancolours.com/image/Man-poses-next-to-mannequin-at-Kenya-dumpsite-by-Mario-Macilau-web 1.jpg" width="300" height="200" /></a></p><div>Premiering 22 April 2013 on Al Jazeera English on Artscape, The New African Photography looks at this fast-changing continent through the eyes of its most acute observers: its photographers. Few regions remain as photographically misrepresented as Africa, but this six-part series profiles the continent’s latest generation of photographers, who are taking back control of their image with a more nuanced portrayal.  </div>]]></description>
<dc:creator><![CDATA[Kevin Kriedemann]]></dc:creator>
<pubDate>2013-04-17 13:34:00</pubDate>
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<title><![CDATA[Dana Whabira's Suspended in Animation]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-features/1061/zimbabwe/dana_whabiras_suspended_in_animation.htm]]></link>
<guid><![CDATA[1061]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-features/1061/zimbabwe/dana_whabiras_suspended_in_animation.htm"><img alt="Dana Whabira's Suspended in Animation" border="0"  src="http://www.africancolours.com/image/suspended portrait.jpg" width="300" height="200" /></a></p><div>With this new Harare exhibition Whabira is showing Zimbabwe why she is emerging as the Queen of African experimental art. The work is always the same with objects representing humans however the thematic structure is different. In &ldquo;Kiss Kiss&rdquo; mannequins represented infidelity whilst in &ldquo;Suspended in Animation&rdquo; the metallic objects are a representation of oppressed workers</div>]]></description>
<dc:creator><![CDATA[ A review by A.A.V. Amasi | AfricanColours.com]]></dc:creator>
<pubDate>2013-04-16 10:01:00</pubDate>
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<title><![CDATA[Florence Muthanga's Chicken]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1060/kenya/florence_muthangas_chicken.htm]]></link>
<guid><![CDATA[1060]]></guid>
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<p><a href="http://www.africancolours.com/african-art-news/1060/kenya/florence_muthangas_chicken.htm"><img alt="Florence Muthanga's Chicken" border="0"  src="http://www.africancolours.com/image/Chicks detail 1.jpg" width="300" height="200" /></a></p><p>Charcol on paper drawing on sale! Florence Muthanga, The Chicks. Charcol on paper, 83 x 268 cm, 2012. This charcol on paper drawing shows the substance beneath the fluff and the fierce curiousity in the eyes of the birds.&nbsp;</p>]]></description>
<dc:creator><![CDATA[AfricanColours.com]]></dc:creator>
<pubDate>2013-04-15 14:44:00</pubDate>
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<title><![CDATA[Mikhael Subotzky Retinal Shift at the Standard Bank Gallery]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1059/south africa/mikhael_subotzky_retinal_shift_at_the_standard_bank_gallery.htm]]></link>
<guid><![CDATA[1059]]></guid>
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<p><a href="http://www.africancolours.com/african-art-news/1059/south africa/mikhael_subotzky_retinal_shift_at_the_standard_bank_gallery.htm"><img alt="Mikhael Subotzky Retinal Shift at the Standard Bank Gallery" border="0"  src="http://www.africancolours.com/image/eye test 2 webcover.jpg" width="300" height="200" /></a></p><p>Mikhael Subotzky Retinal Shift will be showing at the Standard Bank Gallery from the 17th of April 2013. Retinal Shift investigates the practice and mechanics of looking &ndash; in relation to the history of Grahamstown, the history of photographic devices and Subotzky&rsquo;s own history as an artist..</p>
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<dc:creator><![CDATA[AfricanColours.com]]></dc:creator>
<pubDate>2013-04-15 12:27:00</pubDate>
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<title><![CDATA[Portraits by Sudanese Master Artist Eltayeb Dawelbait on Offer]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1058/kenya/portraits_by_sudanese_master_artist_eltayeb_dawelbait_on_offer.htm]]></link>
<guid><![CDATA[1058]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1058/kenya/portraits_by_sudanese_master_artist_eltayeb_dawelbait_on_offer.htm"><img alt="Portraits by Sudanese Master Artist Eltayeb Dawelbait on Offer" border="0"  src="http://www.africancolours.com/image/Eltayeb sale website cover 2.jpg" width="300" height="200" /></a></p><p>Eltayeb Dawelbait (1968) has been &ldquo;fascinated with drawing people&rsquo;s faces since college. He&nbsp;is intrigued by, and openly borrows from, history, and likens his work to archaeology and nature. Discarded things, give him material: &ldquo;I study leaves, seeds, rusty stuff, old shoes. &nbsp;I try to get the colour, texture, form.&rdquo;&nbsp;</p>
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<dc:creator><![CDATA[AfricanColours.com]]></dc:creator>
<pubDate>2013-04-15 11:10:00</pubDate>
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<title><![CDATA[Song for Sekoto 1913 - 2013]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1057/south africa/song_for_sekoto_1913_-_2013.htm]]></link>
<guid><![CDATA[1057]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1057/south africa/song_for_sekoto_1913_-_2013.htm"><img alt="Song for Sekoto 1913 - 2013" border="0"  src="http://www.africancolours.com/image/Gerard-Sekoto.-Song-of-th-010.jpg" width="300" height="200" /></a></p><p>University of the Witwatersrand Arts Museum in Johannesburg presents an exhibition of Gerard Sekoto&rsquo;s work, to celebrate the centenary of the artist&rsquo;s birth. Sekoto is considered by many to be the father of South African art, fetching extremely high values on the international art market yet relatively unknown in his birthplace, South Africa.&nbsp;</p>]]></description>
<dc:creator><![CDATA[Press Release]]></dc:creator>
<pubDate>2013-04-13 20:39:00</pubDate>
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<title><![CDATA[Gravity & Grace by El Anatsui at the Brooklyn Museum]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1056/international/gravity__grace_by_el_anatsui_at_the_brooklyn_museum.htm]]></link>
<guid><![CDATA[1056]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1056/international/gravity__grace_by_el_anatsui_at_the_brooklyn_museum.htm"><img alt="Gravity & Grace by El Anatsui at the Brooklyn Museum" border="0"  src="http://www.africancolours.com/image/Gravity-and-Grace-Monumen-011.jpg" width="300" height="200" /></a></p><div>Gravity and Grace: Monumental Works by El Anatsui features more than 30 works in recycled metal (bottle caps) and wood mass consumer found objects into site-specific sculptures. Anatsui's nomadic background is a great influence on his works and his ability to get 'something else' from discarded objects is legendary.</div>
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<dc:creator><![CDATA[Press Release]]></dc:creator>
<pubDate>2013-04-14 20:20:00</pubDate>
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<title><![CDATA[Cameron Platter is Showing Everyday Apocalypse in London]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1055/international/cameron_platter_is_showing_everyday_apocalypse_in_london.htm]]></link>
<guid><![CDATA[1055]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1055/international/cameron_platter_is_showing_everyday_apocalypse_in_london.htm"><img alt="Cameron Platter is Showing Everyday Apocalypse in London" border="0"  src="http://www.africancolours.com/image/Cameron-Platter-Rainbows--003.jpg" width="300" height="200" /></a></p><div>South African artist Cameron Platter is showing Everyday Apocalypse at the Jack Bell Gallery, his first exhibition in the UK. The drawings shown form part of an ongoing series of large-scale documentary work.</div>
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<dc:creator><![CDATA[Press Release]]></dc:creator>
<pubDate>2013-04-14 19:55:00</pubDate>
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<title><![CDATA[Christine Eyene receives Curators Grant from the Foundation for Arts Initiatives]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1054/international/christine_eyene_receives_curators_grant_from_the_foundation_for_arts_initiatives.htm]]></link>
<guid><![CDATA[1054]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1054/international/christine_eyene_receives_curators_grant_from_the_foundation_for_arts_initiatives.htm"><img alt="Christine Eyene receives Curators Grant from the Foundation for Arts Initiatives" border="0"  src="http://www.africancolours.com/image/Christine-Eyene edit 2.jpg" width="300" height="200" /></a></p><p>Christine Eyene has been awarded a curators grant from the Foundation for Arts Initiatives. The Foundation for Arts Initiatives is an independent foundation supporting exceptional arts initiatives around the world.&nbsp;</p>
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<dc:creator><![CDATA[Press Release]]></dc:creator>
<pubDate>2013-04-12 20:42:00</pubDate>
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<title><![CDATA[Thabiso Phokompe's Tracing Home]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1052/international/thabiso_phokompes_tracing_home.htm]]></link>
<guid><![CDATA[1052]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1052/international/thabiso_phokompes_tracing_home.htm"><img alt="Thabiso Phokompe's Tracing Home" border="0"  src="http://www.africancolours.com/image/Puisano 2, 2013 best.jpg" width="300" height="200" /></a></p><p>Skoto Gallery is pleased to present Tracing Home, an exhibition of recent mixed media work by the South African-born artist Thabiso Phokompe who lives and work in Brooklyn, New York. This is his first solo show at the gallery April 18th &ndash; May 25th, 2013</p>]]></description>
<dc:creator><![CDATA[Tumelo Mosaka]]></dc:creator>
<pubDate>2013-04-11 09:23:00</pubDate>
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<title><![CDATA[Lights, Camera, Action: The Photography of Samuel Fosso]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1051/zimbabwe/lights_camera_action_the_photography_of_samuel_fosso.htm]]></link>
<guid><![CDATA[1051]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1051/zimbabwe/lights_camera_action_the_photography_of_samuel_fosso.htm"><img alt="Lights, Camera, Action: The Photography of Samuel Fosso" border="0"  src="http://www.africancolours.com/image/Fosso front page.jpg" width="300" height="200" /></a></p><p>Samuel Fosso transforms African studio photography into high art by combining African ingenuity with a creative eye. What his art does is bestow some sort of immortality to the characters (African icons) represented in his photographs</p>]]></description>
<dc:creator><![CDATA[A.A.V. Amasi|AfricanColours.com]]></dc:creator>
<pubDate>2013-02-06 10:21:00</pubDate>
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<title><![CDATA[The Art of Eltayeb Dawalbeit: The Scrap Yard Banquet & the Spirit Faces of the Nubian Civilisation]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-features/1050/kenya/the_art_of_eltayeb_dawalbeit_the_scrap_yard_banquet__the_spirit_faces_of_the_nubian_civilisation.htm]]></link>
<guid><![CDATA[1050]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-features/1050/kenya/the_art_of_eltayeb_dawalbeit_the_scrap_yard_banquet__the_spirit_faces_of_the_nubian_civilisation.htm"><img alt="The Art of Eltayeb Dawalbeit: The Scrap Yard Banquet & the Spirit Faces of the Nubian Civilisation" border="0"  src="http://www.africancolours.com/image/El tayeb 10 web front 2.jpg" width="300" height="200" /></a></p><p>As an undergraduate, Eltayeb confirms he &ldquo;was an avid admirer of El Salahi&rsquo;s works. I was particularly in fond of his oil-colours and black-ink paintings. My penchant for drawing faces stemmed from my love for El Salahi&rsquo;s works. I was fascinated by the beautiful portraits and human figures that he masterfully painted.&rdquo;&nbsp;</p>
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<dc:creator><![CDATA[Aarti wa Njoroge | AfricanColours]]></dc:creator>
<pubDate>2013-02-04 08:11:00</pubDate>
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<title><![CDATA[Gordon Clark:The Outcome of Turner Adams]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1049/south africa/gordon_clarkthe_outcome_of_turner_adams.htm]]></link>
<guid><![CDATA[1049]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1049/south africa/gordon_clarkthe_outcome_of_turner_adams.htm"><img alt="Gordon Clark:The Outcome of Turner Adams" border="0"  src="http://www.africancolours.com/image/Gordon Clark_Summer Holiday front page.jpg" width="300" height="200" /></a></p><p>Commune1 is proud to present the much-anticipated first showing of Gordon Clark&rsquo;s latest body of works, The Outcome of Turner Adams. The exhibition is made up of 35 large-scale photographs that document a year in the life of Turner Adams who spent 24 years in prisons such as Pollsmoor Maximum Security</p>]]></description>
<dc:creator><![CDATA[By Michael Smorenburg]]></dc:creator>
<pubDate>2013-01-22 15:49:00</pubDate>
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<title><![CDATA[The Artful Dodger: The ANC's Art Investment Game]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1048/south africa/the_artful_dodger_the_ancs_art_investment_game.htm]]></link>
<guid><![CDATA[1048]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1048/south africa/the_artful_dodger_the_ancs_art_investment_game.htm"><img alt="The Artful Dodger: The ANC's Art Investment Game" border="0"  src="http://www.africancolours.com/image/mandela 2.jpg" width="300" height="200" /></a></p><p>Art experts are utterly baffled, if not horrified, by the R3.7 million raised at an ANC fundraising auction for a painting of Nelson Mandela by an unknown artist.<strong><em> J Brooks Spector</em></strong> follows the valuation &ndash; and comes up with a not-so-surprising conclusion.</p>
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<dc:creator><![CDATA[J Brooks Spector | Daily Maverick]]></dc:creator>
<pubDate>2013-01-16 10:09:00</pubDate>
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<title><![CDATA[Kiss Kiss: Dana Whabira debut in Zimbabwe Questions Infidelity]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-features/1047/zimbabwe/kiss_kiss_dana_whabira_debut_in_zimbabwe_questions_infidelity.htm]]></link>
<guid><![CDATA[1047]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-features/1047/zimbabwe/kiss_kiss_dana_whabira_debut_in_zimbabwe_questions_infidelity.htm"><img alt="Kiss Kiss: Dana Whabira debut in Zimbabwe Questions Infidelity" border="0"  src="http://www.africancolours.com/image/KissKiss web.jpg" width="300" height="200" /></a></p><p><span style="font-family: Tahoma; font-size: 10pt;">If African art grew up, visited the galleries of London, Paris and Madrid and then came back to Africa.&nbsp; It might just turn out a bit like Whabira&rsquo;s Kiss Kiss.&nbsp; There&rsquo;s a sense of worldly maturity and an uncanny ability to dissect society&rsquo;s underbelly in how this piece of art is presented.&nbsp;</span></p>]]></description>
<dc:creator><![CDATA[A Review by A.A.V. Amasi]]></dc:creator>
<pubDate>2013-01-15 16:52:00</pubDate>
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<title><![CDATA[Gravity and Grace: Monumental Works by El Anatsui on View at Brooklyn Museum]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1046/international/gravity_and_grace_monumental_works_by_el_anatsui_on_view_at_brooklyn_museum.htm]]></link>
<guid><![CDATA[1046]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1046/international/gravity_and_grace_monumental_works_by_el_anatsui_on_view_at_brooklyn_museum.htm"><img alt="Gravity and Grace: Monumental Works by El Anatsui on View at Brooklyn Museum" border="0"  src="http://www.africancolours.com/image/El Anatsui Ozone Layer WEB1.jpg" width="300" height="200" /></a></p><p>The first solo exhibition in a New York Museum by the artist El Anatsui will feature over 30 primarily large-scale works in metal and wood that transform appropriated objects into site-specific sculptures.  Anatsui converts found materials into a new type of media that lies between the bounds of sculpture and painting.</p>]]></description>
<dc:creator><![CDATA[Press Release | AfricanColours.com]]></dc:creator>
<pubDate>2013-01-14 11:18:00</pubDate>
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<title><![CDATA[Nathalie Mba Bikoro's The Middle Passage: Alice in Wonderland  ]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-features/1045/international/nathalie_mba_bikoros_the_middle_passage_alice_in_wonderland.htm]]></link>
<guid><![CDATA[1045]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-features/1045/international/nathalie_mba_bikoros_the_middle_passage_alice_in_wonderland.htm"><img alt="Nathalie Mba Bikoro's The Middle Passage: Alice in Wonderland  " border="0"  src="http://www.africancolours.com/image/Bikoro The Gates A Little Night Music detail of horse jumping or flying 2.jpg" width="300" height="200" /></a></p><p>Franco-Gabonese artist Nathalie Mba Bikoro takes us on a tour of her solo exhibition and the video of her in a Brazilan favela at Tiwani Contemporary Gallery.which has recurring subjects and characters that re-surface &ndash; Alice with a broom, a child bride, carousel horses, animals being led for sacrifice, people painting on the ground, a search for identity.</p>]]></description>
<dc:creator><![CDATA[Essay by Aarti wa Njoroge]]></dc:creator>
<pubDate>2012-12-04 08:54:00</pubDate>
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<title><![CDATA[The Motion Picture Photography of Joe Alblas]]></title>
<link><![CDATA[http://www.africancolours.com/african-art-news/1044/south africa/the_motion_picture_photography_of_joe_alblas.htm]]></link>
<guid><![CDATA[1044]]></guid>
<description><![CDATA[
<p><a href="http://www.africancolours.com/african-art-news/1044/south africa/the_motion_picture_photography_of_joe_alblas.htm"><img alt="The Motion Picture Photography of Joe Alblas" border="0"  src="http://www.africancolours.com/image/Mankind_Morocco joe.jpg" width="300" height="200" /></a></p><p>Motion picture stills photographer Joe Alblas, based in Cape Town has built a unique portfolio photographing landmark documentary series like Mankind: The Story of Us All and The British: Our Story; Most recently, he shot The Bible, an upcoming epic series for The History Channel executive produced by multiple-Emmy-winner Mark Burnett (Survivor).</p>]]></description>
<dc:creator><![CDATA[Kevin Kriedemann]]></dc:creator>
<pubDate>2012-11-16 08:54:00</pubDate>
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